![]() ![]() 4 group sessions (Valued at $35/each for just $20/each) - $80 On top of all this, I'll be including a 20-page cleanse booklet for your success including recipes, cleanse tips, intention setting, meditation tips, yoga poses, and more! Our sessions will include time to reflect on your process, share your challenges in a more private and personalized setting, and individualized nutrition and goal-setting advice tailored to your lifestyle. Not only will you get 4 group sessions, but I'll also be including one individual phone session each week (for a total of three) per person. Rather than trying to eliminate everything at once and add-in tons of new healthy habits, we'll do a couple each week, and gradually move deeper into the cleanse. This week-by-week process will allow us to take it one step at a time. (It's up to you how & what you decide to release) and add-in things like smoothies, salads, healthy snacks, yoga, meditation, juices, and daily journaling. We'll set intentions week by week eliminating processed foods, alcohol, drugs, gluten, dairy, etc. We'll meet 4 times as a group, on Mondays at 7pm beginning Monday, April 1st at my home in Buffalo. In addition we'll be adding in breathing techniques, meditation, and basic yoga poses to increase our prana (aka, qi or life-energy). By choosing to eliminate heavier foods from our diets we'll allow our digestive system a much needed break so it can focus on eliminating toxins, excess weight, and anything else that is not serving us rather than just breaking down the daily in-take. ![]() (and snow) of winter and re-generate our cells. Rebecca Schneider, The Explicit Body in Performance (London and New York: Routledge, 1997).As we move into the spring season it's time to shake it up, kick off the dirt Karen Henry, “Spatial Relations – Architectural Fragments,” Allyson Clay: Imaginary Standard Distance (Banff: Walter Philips Gallery Editions, 2002).Ģ. In Griffiths’ work the typical voyeuristic relationship is subverted by the oscillation of both ‘viewer’ and ‘viewed’ as each is simultaneously subject and object.ġ. Such reciprocity threatens in that it suggests a disavowal of the terror and anxiety that demarcates subject from object in Western cultural habits of knowing (86). ![]() Rebecca Schneider, in her The Explicit Body in Performance, describes this position as the third eye, the eye of she who is seen. The ‘seen’, Schneider explains 2, takes on an agency of her own and wields the unnerving potential of a subversive reciprocity of vision, an explicit complicity, or mutual recognition between seer and seen, who become seer and seer, subject and subject, object and object in the scene of viewing. The majority of her characters (usually female) boldly return the gaze. If Clay’s work, as Henry writes 1, deals with the delicacy and force of the glance (9), Eliza Griffiths’ work functions at the level of a stare. Clay underscores the subjecthood of the woman in these photographs, thus inscribing resistance against art historical tradition. Clay’s textual accompaniment gives this odalisque a voice. I have the feeling I’m not where I’m supposed to be and Traces of fantasy inhabit my body, interrupt, my work and sleep refer both to the potential of fantasy as a tool for (re)imag(in)ing female desire, and the repercussions of how fictitious constructions of woman as object play out in one’s life. Her use of first-person text acts to emphasize her subjectivity as an individual and artist, and acts as an exposé or journalistic investigation into the construct of woman in representation. In choosing photography’s perceived objectivity rather than painting herself as odalisque, Clay questions painting’s tradition of objectifying the female figure. Home » Working Title » The Essays » What Are You Looking At?Īllyson Clay and Eliza Griffiths, Encounters with the Gaze ![]()
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